L.A. HISTORY BOOK Volume#9
Music: A Refuge From Battle

written by Jimmie Maddin and Joel Easton

    Jimmie was waiting for his birthday. James Nechampkin signed up with the U.S. Army as soon as he could. His older brother George was in combat and would eventually become Master Sergeant of the 24th Engineering Company, stationed in Yokahama. Maddin grabbed his licorice stick in one hand and bag in the other and headed off to basic training. From boyhood performer in Sheboygan, to Fort McClellan in Anniston, Alabama. He got a nice welcome. His ear was nearly slit off by white locals because he had just been playing in a black juke joint. Then the war ended. Instead of the invasion of Japan, Jimmie served during the occupation.
     On the way over to Japan the seas were rough. "We'd go up on the deck for air - I'd vomit and then keep playing for the guys. There were 600 guys in the hold, sleeping and vomiting. Basically, when I wasn't vomiting from seasickness I was playing clarinet."
     Older brother George was waiting as Jimmie got off the transport ship with his duffel. "Jimmie, this is Master Sergeant Sholoupka, what do you want to do?" George Nechampkin and George Sholoupka were best friends. Nechampkin was from Wisconsin. Sholoupka was from Illinois. They were both Master Sergeants and collectively had some sway. "I want to play in a band," said Maddin. "Do you want your own band? No? You just want to be in a band." "I said to him: 'Look, I want to be in a band, you guys decide the best way for me to go.' So we started hitting clubs. We'd hit five, six clubs a night." Sholoupka eventually gave me a pass to charge against - all expenses paid."
     The Master Sergeants took Jimmie all over Japan in a jeep. They went from Mount Fuji to Ginza. They hit the finest Geisha houses in the biggest city and entertained in high society homes, and in villages where nobody had seen a white person. "In many cases I was the first person to play American jazz and popular music for them. All the Japanese musicians welcomed me with open arms. The Geisha are not prostitutes you know. They are musicians and entertainers of the highest culture and are extremely dignified. They might play a Samsung and I'd blow my clarinet. They loved it and I did too. We all did. Mamasan would always appreciate that we came. Since George spoke fluent Japanese there was never a problem. This happened many nights. We'd go all over the place in George's jeep. One day they asked me: 'How'd you like to be in the 1st Cavalry Division Band?'"
     MacArthur's Adjunct, General Chase, had the dance hall under his command. "He loved the band. The band must have given him pleasure because with the demands of his job, he still came to hear the band most mornings." The band played officers and non-commissioned clubs, dinner dances for ambassadors and Generals "I saluted General Zukov in the toilet - he loved my playing! We did official things like marching around the Emperor's Palace every month, and we played official events for ambassadors. Warrant Officer Churchill was the Marching Band leader."
     We had different bands for different types of events. I really liked Sergeant Hatfield who led the swing band. He played First trumpet."
     "We performed in the largest non-com club in Tokyo - the Grand Cherry. It had been a Japanese officer's club that the Americans converted for the non-coms. It was the nicest club I'd ever seen - and huge." Maddin proceeded to play his usual set - but the tunes of Louis Jordan had not been heard live in Japan. "They went nuts, absolutely nuts in that joint. I played all my stuff, you know. I had played it in high school and in all those homes in Sheboygan society, and with my brother singing on the road every summer, and I knew all that bullshit from playing casuals. So I could play pop tunes, all kinds of stuff. Anyway, you can imagine how big that went off in that huge non-com club!"
     We know Jimmie. We know.

Read Volume #10

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